Induction Series #1, Aernoudt Jacobs, 2012
The Induction Series started as a framework for a research about electromagnetic induction. The series revisits the laws of electromagnetic induction to produce sounds in different ways. The output of the research is a series of fragile kinetic sound installations that question if sounds can be reduced to formal objects. They look for the potential resonance of objects. The works emphasizes on the transition between visual and audible. What you will see and hear will form the trajectory of your perception. I developed three installations on the same theme of induction.
String Theories consists of sounds that are induced into strings. For this we developed an extended string instrument with a large resonating cabin. Electromagnetic coils are used in conjunction with strong neodymium magnets to produce sounds. The magnets are fixed onto the strings and begin to vibrate because of the induction principles. A laser system with mirrors projects the movement of the strings onto a screen and this produces well-known Lissajous figures. This refers to the first experiments of the 19th century when Jules Antoine Lissajous (1822-1880), a French physicist, developed a method for displaying sound optically by reflecting a light beam from a mirror attached to a vibrating object such as a tuning fork.
Concept : Aernoudt Jacobs Production : Overtoon With the support of the Flemish Community Commission (VGC), Flemish Community
Productions by Aernoudt Jacobs
- Contact 2020
- Infraultra 2020
- Heliophone 2015
- Induction Series #4.2 - Horseshoe 2015
- Induction Series #4.3 - Tin Space 2015
- Heliophone Drawings 2015
- Color Of Noise 2015
- The Photophon Principle 2014
- Induction Series #4.1 - Beam 2014
- Photophon 2013
- Induction Series #3 2012
- Sikuvalliajuq 2012
- Induction Series #1 2012
- Miniatuur 2011
- Glaz-Maton 2011
- Permafrost 2009
- Phantom Melodies 2006
- Leslie/History 2006