555 bugs is a performative installation in which Maria Komarova creates a landscape out of found objects and diy electro-acoustic instruments. In it, elementary materials find new meanings in spontaneous connections between each other. They interact, move, resonate and produce tiny sounds: rustling, crunching, squeaking, cracking. Daily objects become something else, specific sonic creatures with their own qualities. The seeming primitivity and repetitiveness of the soundscape brings the listener into a world of menthol buzzers, one-eye sirens, lemon tadpoles, ginger tigers, plastic bugs and other insects.
555 bugs is a performative installation in which Maria Komarova creates a landscape out of found objects and diy electro-acoustic instruments. In it, elementary materials find new meanings in spontaneous connections between each other. They interact, move, resonate and produce tiny sounds: rustling, crunching, squeaking, cracking. Daily objects become something else, specific sonic creatures with their own qualities. The seeming primitivity and repetitiveness of the soundscape brings the listener into a world of menthol buzzers, one-eye sirens, lemon tadpoles, ginger tigers, plastic bugs and other insects.
In 555 bugs, Maria Komarova uses found objects and self build electro-acoustic instruments to create a landscape where elementary materials find new meanings in spontaneous connections between each other. They interact, move, resonate and produce tiny sounds: rustling, crunching, squeaking, cracking. Objects become something else, specific sonic creatures with their own qualities. The seeming primitivity and repetitiveness of the soundscape brings the listener into a world of menthol buzzers, one-eye sirens, lemon tadpoles, ginger tigers, plastic bugs and other insects.
Maria Komarova performs live with 555 bugs and creates a site-specific performative installation within the historic site of Teatro Romano in Lisbon, where objects resonate the space and the space resonates the objects.
This performance is co-funded by OVERTOON and the Creative Europe program of the European Union within the frame of Oscillations - Exercises in resilience.
A workshop with children where Maria talks and create a simple conductivity circuit. Each child learns to make a simple circuit from the prepared parts: electronics, batteries and tactile buttons.
For children from 5 years old / for approximately 12 people.
This workshop is co-funded by OVERTOON and the Creative Europe program of the European Union within the frame of Oscillations - Exercises in resilience.
Fiesp Cultural Center - Ruth Cardoso in São Paulo presents OVERTOON sound art works on video during Hypersonica 2022
Former Overtoon research resident artist Vica Pacheco creates a sonic environment during a sound performances at Jardins Efémeros.
Animacy or A breath manifest is a series of sound performances consisting in playing and amplifying the sound sculptures, looping and sampling them directly, using granular synthesis and digital sound effects to create an improvised composition, a sonic environment in formation. The importance of emphasising the idea of breathing came naturally when she experimented with it in her home studio. The instruments breathe; they breathe in while swinging to one side and they sing while exhaling while swinging to the other side.
Performance
With: Maria Komarova
Flipchart is an event series mixing lectures and performances, a cabinet of curiosities where transitions are fast but the pages are infinite. The series offers a stage for experiments in the field of Art, Science & Technology, where making meets thinking. Visitors are presented with a snapshot on the creative process of artists and researchers within and around iii’s community.
With: Maria Komarova, Kunrad, Robbi Meertens, Nina van Hartskamp, Sofie Kramer, Mári Mákó
6 concerts and a video projection on 16 and 17 June as well as a workshop weekend on 18 and 19 June, during which Erikm will share his approach to improvisation with 10 musicians.
With: Erikm, Sundog, Pierre Pierre Pierre and Maria Komarova
Double bill with Maika Garnica & Nico Dockx + guests Casper Van De Velde & Teun Verbruggen (performance) + Prana Nibbering (tea ceremony)
Line Boogaerts, Marijn Bril, Pierre Coric, Anna Godzina, Laurie-Anne Jaubert, Amber Meulenijzer, Vica Pacheco, Hussein Shikha, Stijn Wybouw.
Opening with performances:
"Tot de kaars uit is" by Stijn Wybouw, 17:00 - 19:00
"La Lumitérale" by Laurie-Anne Jaubert, 19:30
SOLD OUT
Live performances on 29 April at 20:00 - 22:00 and on 6 May at 18:00 - 20:00
Fully booked.
Free Admission
For this exhibition at the Botanique, VOID deploys a device in the museum space that plunges the viewer into a parallel universe. The exhibition space becomes the production headquarters of SARA™ (acronym for Souvenir Archival Recording Apparatus). SARA™ is a fictitious company, active in the collection and archiving of oral and memorial traces of humanity.
Double program David Claerbout - Christoph De Boeck
Open Atelier in the frame of the 12th editon of La Semaine du Son/De Week van de Klank. You will be able to meet with Stijn Wybouw and Wannes Deneer. Reservations via this link.
Opening and meet the artist on Tuesday 09/02 between 12:30 and 14:00 @ MIM (4th floor)
A collaboration with Caroline Profanter